Supporting Local Thanka Artists

An artisan curated Buddhist Thangka and Tibetan Painting, Art & Craft gallery, each and every one of our thangkas and statues come directly from the artists who use meticulous crafting techniques to achieve the highest level of artistry. There are no middlemen or inter-agents between our artists and the buyer. This ensures that our products are comparatively affordable and the artists get their fair share of wages plus the profits from sales.

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Tibetan Singing Bowl

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Om Mandala Thangka Painting #thangka #painting #tibetanthangka #art #gallery #mandala Monastery in Lumbini - The Birth Place of Lord Buddha #lumbini #buddha #monastery Tara is known as the “Mother of all Buddhas.” She acts as an unconditional guide and protector whose purpose is to help all sentient beings find liberation from the churn of suffering. This female deity is most often depicted as a green woman on a lotus throne holding a blue flower in her right hand. Her right foot is extended slightly, ready to leap up and assist us at any moment. The Green Tara mantra, Om tara tuttare ture soha, is one of the most commonly recited in Tibetan Buddhism and is used as a veil of protection as practitioners face physical or emotional challenges. #greentara #tibetanthanka #thangka Take a closer look to our handmade mandala thangka painting #mandala #thangka #tibetanthangka #painting #localartist Om Mandala Thangka Painting. Inbox us to order. We are shipping worldwide #om #mandala #thangka #painting #tibetan #handmade #localbusiness #artist Mantra Manada This Buddhist Statues of Green Tara is painted using tradition thangka colors. Coloring the statue in this style is a tradition process of making Green Tara exact to the traditional color description. For making the statue in this finishing we use organic colors, real gold and a professional thangka artist Mainly Mrs, Rita Shakya. She is a professional face painter for our collection. The face of this Buddhist Statues of Vajrasattva has been painted with gold. Reason for painting the face is to define important attributes of the Vajrasattva's face, especially its eyes and Its lips. This normally cannot be obtained by metal carving. Even if we could it will be blurred out by oxidation with time. This is an important and sacred ritual of Buddhism to make the statue ready for its consecration and practice.